Films and Showtimes
- Moxie Mornings
- A Ghost Story
- After The Storm (In Translation Series)
- The Lady Vanishes (1938)
- Graduation (In Translation Series)
- Rebecca (1940)
- Lady Macbeth
- Shadow of a Doubt (1943)
- Spellbound (1945)
- Napoleon Dynamite @ MOTHER'S BREWERY
- Ponyo (2008)
- Notorious (1946)
- On Stage: Peter Pan
- On Stage: Angels in America (Part One Millennium Approaches)
- The Best Years of Our Lives (1946)
- May It Last: A Portrait of the Avett Brothers
- Longing and Belonging: The Best Live Action Films from Children’s Film Festival Seattle 2017
- Shine On! The Best Animated Films from Children’s Film Festival Seattle 2017
- On Stage: Angels in America (Part Two Perestroika)
- Thelma & Louise @ MOTHER'S BREWERY
- On Stage: Ashton Celebration (The Royal Ballet Dances Frederick Ashton)
- Mad Hot Ballroom (2005)
- The Kid (1921)
- A Town Called Panic (2016)
Top Hat (1935)
- Starring: Fred Astaire, Ginger Rogers, Edward Everett Horton
- Director: Mark Sandrich
- Genre(s): Classics, Comedy, Musical & Performing Arts, Romance
- Rating: NR
- Running Time: 100 min.
These FREE screenings are part of MOXIE FLIX, a monthly series focusing on essential films for kids to see before they turn 13.
Film Synopsis: One of the best of the Fred Astaire-Ginger Rogers musicals, Top Hat centers on a typical mistaken-identity plot, with wealthy Dale Tremont (Rogers), on holiday in London and Venice, assuming that American entertainer Jerry Travers (Astaire) is the husband of her friend Madge (Helen Broderick) — who’s actually the wife of Jerry’s business manager Horace Hardwick (Edward Everett Horton). Complicating matters is Dale’s jealous suitor Beddini (Erik Rhodes), whose motto is “For the woman the kiss — for the man the sword.” Beddini is disposed of by some last-minute chicanery on the part of Jerry’s faithful valet Bates (Eric Blore), paving the way for the happy ending everyone knew was coming from the opening scene. The Irving Berlin score includes “Cheek to Cheek,” “Isn’t it a Lovely Day?,” and the jaunty title song. The charisma of the stars, the chemistry of the supporting players, the white-telephone art direction of Van Nest Polglaise, the superlative choreography by Astaire and Hermes Pan, and the effervescent direction of Mark Sandrich all combine to make Top Hat a winner. Originally released at 101 minutes, the film was for many years available only in its 93-minute reissue form; it has since been restored archivally to 99 minutes.
A thorough, spoiler-filled Parent’s Guide can be found here.
Made possible thanks to a generous grant from the Missouri Arts Council.
"Finally, thanks more to Fred Astaire than any other single influence, the character of musicomedy in the cinema has now completely changed."- TIME Magazine
"This 1935 musical finds Fred Astaire and Ginger Rogers at the top of their form."- Don Druker, Chicago Reader
"Because we are bound by gravity and the limitations of our bodies, because we live in a world where the news is often bad and the prospects disturbing, there is a need for another world somewhere, a world where Fred Astaire and Ginger Rogers live."- Roger Ebert, Chicago Sun-Times