Films and Showtimes
- Oscar Live Action Shorts (2019)
- Moxie Mornings
- Selma (Drury Humanities)
- The Essentials: Marie Antoinette (2006)
- Everybody Knows
- Apollo 11
- Bury the Hatchet (Local Film)
- Into The Light 2
- Pierrot le Fou (1965)
- Border (In Translation Series)
- Never Look Away
- Moxie Flix: The Day the Earth Stood Still (1951)
- Staff Picks: Y Tu Mamá También (2002)
- Staff Picks: Gosford Park (2001)
- Staff Picks: Zodiac (2007)
- Staff Picks: The Last Picture Show (1971)
- Starring: Liza Minnelli, Michael York, Helmut Griem
- Director: Bob Fosse
- Genre(s): Drama, Musical
- Rating: PG
- Running Time: 124 min.
The Essentials: Musicals
This new quarterly series showcases the “essential” films everyone should see on the big screen. For each month-long program, we’ll screen five films organized by one of the following themes: directors, actors, genres, and eras/movements.
Essential tickets are $9 for Adults, $8 for Students/Seniors and Members get in Free!
Summary: A female girlie club entertainer in Weimar Republic era Berlin romances two men while the Nazi Party rises to power around them.
Cabaret (1972) is director/choreographer Bob Fosse’s defining, decadent, award-winning musical which popularized the phrase: “Life is a Cabaret.” It was only Fosse’s second film, but won numerous accolades (and was a financial and artistic hit), and has been viewed in retrospect as the only truly great musical of the 1970s.
The boundary-pushing film, with themes of corruption, sexual ambiguity and false dreams, was adapted from the grim 1966 Tony-winning Broadway stage production, which was in turn inspired by gay author Christopher Isherwood’s 1945 Berlin Stories (including 1939’s short story Goodbye to Berlin) and John Van Druten’s 1951 play and movie I Am a Camera (1955, UK).
Aug 5 & 6: Meet Me in St. Louis (1944)
Aug. 12 & 13: My Fair Lady (1964)
Aug. 19 & 20: The Umbrella of Cherbourg (1964)
Aug. 26 & 27: Cabaret (1972)
Sept. 2 & 3: Sweeney Todd: The Demon Barber of Fleet Street
"The screenplay, which never seems to talk down to an audience while at the same time making its candid points with tasteful emphasis, returns the story to a variety of settings."- Variety Staff, Variety
"Superbly choreographed by Fosse, the cabaret numbers evoke the Berlin of 1931 - city of gaiety and perversion, of champagne and Nazi propaganda - so vividly that only an idiot could fail to perceive that something is rotten in the state of Weimar."- Time Out
" In several musical numbers (including the stunning finale "Cabaret" number), Liza demonstrates unmistakably that she's one of the great musical performers of our time."- Roger Ebert, Chicago Sun-Times