Films and Showtimes
- Moxie Mornings
- Leaning Into the Wind
- On Stage: The Royal Ballet's Swan Lake
- They Shoot Horses, Don't They? (1969)
- Dirty Dancing @ Mother's Brewery
- Summer 1993
- Don't Worry, He Won't Get Far on Foot
- Eighth Grade
- The Essentials: Meet Me in St. Louis (1944)
- Member Picks: Duel (1971)
- Yellow Submarine
- Sorry to Bother You
- My Fair Lady (1964)
- Bringing Up Baby (1938)
- Never Goin' Back
- The Umbrellas of Cherbourg (1964)
- The Thin Blue Line (1988)
- Cabaret (1972)
- Jurassic Park @ Mother's Brewery
- On Stage: The Curious Incident of the Dog in the Night-time
- Sweeney Todd: The Demon Barber of Fleet Street (2007)
- West Side Story (1961)
- Little Miss Sunshine (2006)
- Raiders of the Lost Ark (1981)
On Stage: Mozart's Cosi fan Tutte
- Starring: Jacquelyn Wagner, Michele Losier, Frédéric Antoun
- Director: Anne Teresa De Keersmaeker
- Music: Wolfgang Amadeus Mozart
- Conductor: Philippe Jordan
- Language: Italian
- Genre(s): Performing Arts, Drama
- Rating: NR
- Filmed at the Paris Opera in France on Feb. 16th 2017
- Running Time: Approx. 3 hrs. 28 min.
The Moxie: On Stage is a new series showcasing world class performances from stages across the globe.
Tickets: $20/adults; $15/members & students.
This series is made possible thanks to a grant from the Springfield Regional Arts Council.
Prompted by Don Alfonso, a cynical old philosopher, two young idealists decide to put their lovers’ fidelity to the test. But love will teach them a bitter lesson: those who believe themselves phoenixes and goddesses will discover the desires of the flesh…
In 1790, one year after the French Revolution, in what would be their final collaboration, Mozart and Da Ponte conduct a scientific investigation of love. The music of Così fan tutte is truly extraordinary – complex in its symmetry, jovial and yet infused with an almost sacred melancholia. An extraordinary score where each note seems intended to make us accept a loss – lost paradise, lost youth, or a lost loved-one – and portray a world where all is in a constant state of flux. This laboratory of eroticism could but inspire choreographer Anne Teresa De Keersmaeker, who excels in revealing a work’s innermost geometry on stage. With six singers doubled by six dancers, she depicts the desire which unites and separates human beings, like the interactions between atoms that, once broken, make new bonds possible.