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Travis Henderson, an aimless drifter who has been missing for four years, wanders out of the desert and must reconnect with society, himself, his life, and his family. (R, 147 min.)
(TBD)
The restored version of PARIS, TEXAS premiered as part of Cannes Classics on May 24, 2024.
PARIS, TEXAS is considered Wenders’s best-known and internationally most successful film. Celebrated by critics, it won a series of important international awards, including the Palme d’Or at Cannes.
Out of nowhere, a gaunt man in a dark suit and a red baseball cap appears in the burning heat of the desert between the US and Mexico. Travis. He drinks the last sip from his water bottle, then he moves on, doggedly, into the inhospitable area that the locals call “The Devil’s Playground”. Travis might seem to be mute and amnesiac, but he’s driven by the desire to reconnect with his family.
Wim Wenders’ iconic Cannes winner from 1984, exquisitely photographed by Dutch master Robby Müller, is a powerful statement on self-discovery, loss, redemption and the unbreakable bonds of love. Outstanding performances by Harry Dean Stanton and Nastassja Kinski, a masterful screenplay by Sam Shepard and Ry Cooder’s haunting soundtrack have contributed to PARIS, TEXAS’ cult film status and its spell, even 40 years later. The new 4K restoration makes it shine more than ever. [Wim Wenders Stiftung]
Starring: Harry Dean Stanton, Nastassja Kinski, Dean Stockwell
Director: Wim Wenders
Genre(s): Drama
"It is true, deep, and brilliant."
— Roger Ebert, Chicago Sun-Times
"Enigmatic and fascinating."
— William Thomas, Empire
"A deeply affecting film about family, separation, loss and a man's last act of repentance."
— Sheila Benson, Los Angeles Times
"It is clear-eyed and unsparing, and full of the price our way of life extracts from those who can least afford it emotionally."
— Desmond Ryan, Philadelphia Inquirer
"The movie belongs to Stanton, of course, and it's hard to think of any other actor who can go from Chaplinlike outcast to tragic hero in the space of a feature film."
— Marsha McCreadie, Arizona Republic
"I've seldom seen such a potent combination of superior talents. Watch the first hour of the movie, and what you will see is an unparalleled summation of America as seen by wondering European eyes."
— Derek Malcolm, Guardian
"Wim Wenders’ heartbreaking, profoundly American masterpiece...The climactic scene – set in a peep-show booth – features a stunning autographical monologue that’s one of the most mesmerizing pieces of screen acting ever filmed."
— Noel Murray, Rolling Stone
"It's a striking, gripping film for most of its length, with Wenders and cinematographer Robby Muller showing a great love of and fascination for the land -- almost as if their European upbringings had made them slightly envious of the wide-open spaces."
— Joe Pollack, St. Louis Post-Dispatch
"It’s indeed a beautiful film, one that will surely convince doubters that Muller is one of the cinema’s best cameramen. He gives the story a surface polish that hints of Edward Hopper and Georgia O’Keefe Americana paintings. Some images are positively breathtaking."
— Holly Willis, Variety
"So many mood pieces sustain their mood only as far as the closing credits; the blissful melancholy of Paris, Texas endures with recall and association, however distant from one’s last viewing. Cannes has rewarded many a great film, but none that is quite so permanently, ever-retrievably embedded in my sense memory."
— Guy Lodge, The Guardian
"Superbly scripted, the film features wonderful performances from all its major players. Equally brilliant, especially in a film that emphasizes script and character, is the cinematography by Robby Muller, perfectly capturing the notion of 'America.' A final factor in PARIS, TEXAS's success is the remarkably haunting score by blues musician Ry Cooder."
— TV Guide Magazine
