Films and Showtimes
- Moxie Mornings
- At Eternity's Gate
- Love, Actually (2003)
- Moxie Flix: Miracle on 34th street (1947)
- Of the Former & Pioneer
- Under the Gun (2016)
- The Royal Ballet presents The Nutcracker
- The Favourite
- Space Buddies (Local Film)
- Staff Picks: Perfect Blue (1997)
- Staff Picks: Stranger Than Fiction (2006)
- Starring: Laurence Olivier, Joan Fontaine, George Sanders
- Director: Alfred Hitchcock
- Genre(s): Classics, Drama, Mystery & Suspense
- Rating: NR
- Running Time: 130 min.
Essential Hitchcock Films
This new quarterly series showcases the “essential” films everyone should see on the big screen. For each month-long program, we’ll screen five films organized by one of the following themes: directors, actors, genres, and eras/movements. Essential tickets are $9 for Adults, $8 for Students/Seniors and Members get in Free!
English film-maker/director Alfred Hitchcock directed more than 50 feature films in a career spanning six decades. He left England for Hollywood in 1939, where his first American film Rebecca (1940) won an Academy Award for Best Picture. He became known as “The Master of Suspense” for the taut thrillers and stories of suspense that he directed from the 1940s to the 1960s. He was recognized for his twist endings and signature themes of innocent men on the run.
Summary: A self-conscious bride is tormented by the memory of her husband’s dead first wife.
Rebecca (1940) is the classic Hitchcock gothic thriller and a compelling mystery (and haunting ghost story) about a tortured romance. An expensively-produced film by David O. Selznick (following his recent success with Gone With The Wind (1939)), it was Hitchcock’s first American/Hollywood film, although it retained distinctly British characteristics from his earlier murder mysteries. The somber film’s screenplay (by Robert E. Sherwood and Joan Harrison) was based on a literal translation of Daphne du Maurier’s 1938 gothic novel of the same name, in the tradition of Charlotte Bronte’s Jane Eyre. One of the film’s posters asks the intriguing question: “What was the secret of Manderley?” [Filmsite.org]
"It is the finest job of direction accomplished by a master director and may justly be called Alfred Hitchcock's masterpiece."- Kate Cameron, New York Daily News
"This time Hitchcock does it all his way, does a splendid job and has a splendid cast to do it with."- Time Magazine
"Through its first two-thirds it is as perfect a myth of adolescence as any of the Disney films, documenting the childlike, nameless heroine's initiation into the adult mysteries of sex, death, and identity."- Dave Kehr, Chicago Reader
"Hitchcock shows superb technical control and attends to his trademark motifs, from monstrous mother figures to the fetishisation of clothing."- Ben Walters, Time Out
"An altogether brilliant film, haunting, suspenseful, handsome and handsomely played."- Frank S. Nugent, New York Times
"The result exhibits that the director is capable of a range few would credit him with."- James Berardinelli, ReelViews