Films and Showtimes
- Oscar Live Action Shorts (2019)
- Moxie Mornings
- Selma (Drury Humanities)
- The Essentials: Marie Antoinette (2006)
- Everybody Knows
- Apollo 11
- Bury the Hatchet (Local Film)
- Into The Light 2
- Pierrot le Fou (1965)
- Border (In Translation Series)
- Never Look Away
- Moxie Flix: The Day the Earth Stood Still (1951)
- Staff Picks: Y Tu Mamá También (2002)
- Staff Picks: Gosford Park (2001)
- Staff Picks: Zodiac (2007)
- Staff Picks: The Last Picture Show (1971)
Red River (1948)
- Starring: John Wayne, Montgomery Clift, Joanne Dru
- Director(s): Howard Hawks, Arthur Rosson
- Genre(s): Action, Adventure, Romance
- Rating: Approved
- Running Time: 133 min.
Essential Western Films
This new quarterly series showcases the “essential” films everyone should see on the big screen. For each month-long program, we’ll screen five films organized by one of the following themes: directors, actors, genres, and eras/movements.
Essential tickets are $9 for Adults, $8 for Students/Seniors and Members get in Free!
Red River (1948) is a classic and complex western (and considered by many critics to be one of the ten best westerns ever made). It is a sweeping, epic story about a cattle drive (historically based on the opening of the Chisholm Trail in 1867) and a film of rivalry and rebellion, spanning a time period of fifteen years. Red River was Howard Hawks’ first western, a story often compared to its parallel epic on the high seas, Mutiny on the Bounty (1935). [Filmsite.org]
Summary: Dunson leads a cattle drive, the culmination of over 14 years of work, to its destination in Missouri. But his tyrannical behavior along the way causes a mutiny, led by his adopted son.
"The staging of physical conflict is deadly, equalling anything yet seen on the screen."- Variety
"Immaculately shot by Russell Harlan, perfectly performed by a host of Hawks regulars, and shot through with dark comedy, it's probably the finest Western of the '40s."- Geoff Andrew, Time Out
"It's a sign of the movie's complexity that John Wayne, often typecast, is given a tortured, conflicted character to play."- Roger Ebert, Chicago Sun-Times