Films and Showtimes
- Best in Show (2000)
- The Old Man and the Gun
- The Sisters Brothers
- Saving Brinton (2017)
- Moxie Mornings
- On Stage: Frankenstein (Encore)
- Pick of the Litter (2018)
- Raiders of the Lost Ark (1981)
- Free Solo
- On Stage: King Lear
- The Essentials: City Lights (1931)
- Member Picks: Holiday (1938)
- Beautiful Boy
- The Essentials: It Happened One Night (1934)
- Can You Ever Forgive Me?
- The Essentials: His Friday Girl (1940)
- Ghost World (2001)
- The Essentials: The Lady Eve (1941)
- The Essentials: Seven Year Itch (1955)
The Third Man (Drury @ The Moxie)
- Starring: Orson Welles,Joseph Cotten, Alida Valli
- Director: Carol Reed
- Genre(s): Classics , Mystery & Suspense
- Rating: NR
- Running Time: 104 min.
Great insights to great films courtesy of Drury’s Humanities faculty.
This series is made possible by a grant from the Missouri Humanities Council.
The Third Man (1949): Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, black-market opportunist Harry Lime—and thus begins this legendary tale of love, deception, and murder. Thanks to brilliant performances by Joseph Cotten, Alida Valli, and Orson Welles; Anton Karas’s evocative zither score; Graham Greene’s razor-sharp dialogue; and Robert Krasker’s dramatic use of light and shadow, The Third Man, directed by the inimitable Carol Reed, only grows in stature as the years pass. [Criterion]
Drury University professor Dr. Kevin Henderson will lead a post show discussion after the film.
"Krasker's camera reveals a dank, matte, defeated city - so dully vivid as to be a character unto itself - except that this Vienna becomes something altogether different seen at night or underground."- Mark Feeney, Boston Globe
"The Third Man is a movie of sobering pleasures."- Stephanie Zacharek, Village Voice
"It transformed the way I looked at the world."- David Ansen, Newsweek
"Seen today, The Third Man ... can be appreciated as a prophetic statement on the eventual moral bankruptcy of the one-world euphoria that clouded men's minds immediately after the second 'war to end all wars.'"- Andrew Sarris, New York Observer
"Top credit must go to Mr. Reed for molding all possible elements into a thriller of superconsequence."- Bosley Crowther, New York Times
"For lovers of film noir, The Third Man is unquestionably a must-see -- one of the masterpieces of a genre that has contained everything from milestone motion pictures to low-budget potboilers."- James Berardinelli, ReelViews
"One of the glories of postwar cinema, and quite possibly one of the most sheerly enjoyable movies ever made."- Robert Horton, Film.com
"Of all the movies I have seen, this one most completely embodies the romance of going to the movies."- Roger Ebert, Chicago Sun-Times
"The complete effect of The Third Man is of superficial mysteries wrapped around deeper mysteries of the human heart, all immersed in a desperate universe suspended by the silent witnessing of a thousand eyes."- Tom Keogh, Film.com