"This is a film that people should see."
— Dennis King, Tulsa World
"Powerful, old-school look at life surrounded by violence."
— Andrea Beach, Common Sense Media
"The kind of timeless cinema that only increases in its importance with each passing day."
— Aaron Murray, Loud and Clear Reviews
"It seems as box-fresh as a pair of white high-tops and as powerful and funny today as it was in 1991."
— Kate Muir, The Times (UK)
"Alongside Quentin Tarantino's Reservoir Dogs, this was the most astonishing and hard-hitting directorial debut of the 1990s."
— David Parkinson, Radio Times
"In essence, this is a postapocalyptic world. Except what was destroying their landscape wasn’t an alien invasion or a virus. It was ravaged by white supremacy."
— Lawrence Ware, New York Times
"The violence in Boyz N the Hood is neither gratuitous nor melodramatic; its aftermath is shattering. Singleton's powerhouse movie has the impact of a stun gun."
— David Ansen, Newsweek
"Singleton was only 23 when he made this urgent state-of-the-nation drama. But his skill with the camera, handling of actors, and raw dialogue suggests a seasoned pro."
— Neil Smith, Total Film
"Boyz N the Hood is a passionate drama shot with fluency and style, a study of what amounts to life during wartime, with people grimly used to gunfire and helicopters thudding overhead."
— Peter Bradshaw, Guardian
"Like a jazz ensemble, Singleton and his actors slowly involve us in an almost sensual melange of moods, images and situations that take us inside the ghetto in a way mainstream films almost never do."
— Kenneth Turan, Los Angeles Times
"Featuring breakout performances from Cuba Gooding Jr. and NWA's Ice Cube, Singleton's stunning coming-of-age film offers a compelling and compassionate snapshot of life for a young Black man growing up amid the gang culture of South Central Los Angeles."
— Nick Levine, NME (New Musical Express)