"[A] heartfelt and empathetic story."
— Louisa Moore, Screen Zealots
"Heartfelt semi-biographical docu-fiction drama that's set near the Badlands of South Dakota."
— Dennis Schwartz, Dennis Schwartz Movie Reviews
"East of Wall is a stirring glimpse of the American spirit and its relentless perseverance in troubled times."
— Dan Tabor, Cinapse
"'East of Wall' is a lyrical semi-biographical docu-fiction drama whose quiet grandeur uplifts an unyielding, fractal story."
— Robert Daniels, RogerEbert.com
"This quietly powerful drama captures the spirit of the American West with a modern spin and, from a female perspective."
— Travis Hopson, Punch Drunk Critics
"It’s the tough, sun-blasted faces of her largely nonprofessional cast that lend 'East of Wall' the sense of raw, lived-in experience that sets Beecroft’s yearslong project apart."
— Peter Debruge, Variety
"'East of Wall' typifies the best abilities of independent filmmaking to capture the feeling, truthfulness, and very heart of a place and people not usually captured by the camera."
— Cody Dericks, Next Best Picture
"Tapping into universal tensions with a charged specificity, East of Wall is vibrant with its sense of place and, beneath its hard-knocks surface, a poetry of astonishment and yearning."
— Sheri Linden, The Hollywood Reporter
"Beecroft arrives with a true voice that she uses wonderfully to platform this family and everything that drives them. Her choice to embed herself within this family...has yielded marvelously positive results."
— Abe Friedtanzer, Awards Buzz
"One of the more pleasant surprises [out of Sundance], firstly due to the discovery that is Tabatha Zimiga, but also how Beecroft is able to take seemingly mundane things from real peoples’ lives and instill them with drama."
— Edward Douglas, Cinema Daily US
"Beecroft has captured that bittersweet, specific feeling of place––she effectively conveys that it’s not about the where, but the who. Tabatha Zimiga is an extraordinary person, and East of Wall is smart to position her as such."
— Dan Mecca, The Film Stage
"It captures beauty and turmoil, sometimes in the same frame. They want you to understand the environs of these characters as much as you understand their souls; Fractured and beaten, yet still making space for whoever needs it."
— Harrison Richlin, IndieWire
