"A hilariously gross 1985 indie classic."
— Dann Gire, Chicago Daily Herald
"What comes out the other side is pure, disreputable zombie fun."
— Sean Fennessey, The Ringer
"A bona fide classic of '80s horror, and one of the funniest splatter-comedies of all time."
— Austin Trunick, Under the Radar
"Cult 80's mad scientist sci-fi-horror-comedy based on the novella Herbert West-Reanimator by H. P. Lovecraft."
— Alix Turner, Ready Steady Cut
"It's remarkable that, over [40] years since its release, Re-Animator still stands as the best film-adaptation of any H.P. Lovecraft story to date."
— Sol Harris, Starburst
"A deliciously goopy romp featuring a pitch perfect performance by Jeffrey Combs. Balances its ick factor with great FX and hearty laughs."
— Joe Lipsett, Horror Queers Podcast
"Most genre filmmakers go their whole careers without making something have as delirious and dazzling as Stuart Gordon did right in his debut."
— Tim Brayton, Alternate Ending
"An all-time classic of the horror world, slapping an added level of gore and dark humour to the already bloodstained landscape of 1980s horror."
— Andrew Pollard, Starburst
"This is one of the greatest films ever made. Period. It's outrageous, erotic, gory, jaw-dropping, genre-busting ,shocking, and altogether exhilarating filmmaking."
— Brian Holcomb, PopMatters
"A ground-breaking horror/black comedy that reintroduced HP Lovecraft to a new generation, and set a new level as to how far on-screen outrageousness could go."
— Keith Bailey, Radio Times
"The picture is close to being a silly ghoulie classic -- the bloodier it gets, the funnier it is. This is the same blood that flows through the Hammer horror movies; it’s theatre-of-the-absurd blood, slapstick blood."
— Pauline Kael, The New Yorker
"To call 'Re-Animator' campy and leave it at that seems a knee-jerk reaction to discredit, or disregard, the clear skill behind an excellent American horror movie. Even at its most outrageous, it's controlled by a steady, confident hand with a plan."
— Nick Rogers, Midwest Film Journal