"It’s a work of real artistry."
— Peter Bradshaw, Guardian
"Simply put, no working filmmaker is better at taking the audience for a ride."
— Adam Nayman, Toronto Star
"This kind of unhinged ambition is what cinema does better than anything else."
— Ed Potton, The Times (UK)
"Resurrection is a total work of art, an immersive and layered metafilm that must be seen to be believed."
— Rob Silverman Ascher, Chicago Reader
"The most adventurous and formally ambitious film of this year’s Cannes competition. A soul-stirring feat that will inspire generations to come."
— Tomris, Laffly Elle
"Resurrection strips its audience down and builds them back up again, revealing how we change the art we make, and how it changes us in turn."
— Jacob Oller, AV Club
"It’s a staggering feast for the senses (each segment revolves around one of them) but even more so a true love letter to cinema written bold and brilliant."
— Hannah Strong, Little White Lies
"Resurrection is a full-sensory experience; indeed, each chapter is framed around the theme of the six Buddhist senses: Sight, hearing, smell, taste, touch and mind."
— Ty Burr, Ty Burr's Watch List (Substack)
"The deeper that Resurrection goes, the more that Gan’s vision delicately, meticulously, and, of course, slowly envelopes you, no matter your level of comprehension."
— Barry Hertz, Globe and Mail
"A tour-de-force of unbound creativity, its silky staging, enchanting performances, and playful inventiveness combining to make it one of the year’s undisputed big-screen highlights."
— Nick Schager, The Daily Beast
"Arriving at a moment when the movies have seldom felt more finite or more vulnerable... this astonishing work insists -- in its title, and in the heroic force of Bi’s artistry and ambition -- that every end really is a new beginning."
— Justin Chang, The New Yorker