Teenage Sex and Death at Camp Miasma

"A brilliantly subversive satire."

— Maxance Vincent, Film Speak

"Miasma is an utterly unique, exhilaratingly entertaining vision, both blood-drenched and beautiful."

— Laura Venning, Empire Magazine

"A thoughtfully constructed fever dream that wears its high and low brow references on its sleeve."

— Lindsey Bahr, Associated Press

"A film that’s both beautiful and liberating, crafted with equal parts comical carnage and carnal pleasure."

— Marisa Mirabal, Neon Splatter

"With an almost dreamlike allure. the film finds offbeat charms while exploring familiar coming-of-age themes through a fresh satirical lens."

— Todd Jorgenson, Cinemalogue

"It’s clear that Schoenbrun is destined for greatness. Teenage Sex and Death at Camp Miasma is one of the most inventive horror films of the 21st century."

— Bethany Lola, Loud and Clear Reviews

"Teenage Sex and Death at Camp Miasma is an exciting evolution in Schoenbrun's filmmaking, and undoubtedly one of the year's most interesting movies."

— Alex Harrison, Screen Rant

"Teenage Sex and Death at Camp Miasma is a kaleidoscope of pure emotion and creative passion that needs to be seen on the big screen post-haste."

— Luis Pomales-Diaz, Horror Press

"One of the most profound cinematic explorations of sexuality and identity of our recent times, arguably making it Schoenbrun’s first genuine masterpiece."

— Hugo Emmerzael, In Review Online

"A genuine masterpiece... it’s amazing what a cinematic culinary movie magician can muster from the old familiar sauces—brand new flavor explosions bursting up everywhere!"

— Jason Adams, Pajiba

"A delightfully erotic and utterly phantasmagoric love letter to 1980s slasher movies… it’s Schoenbrun’s battle cry to return to the 'flesh and fluids' that made us in the first place."

— Katie Walsh, Tribune News Service

"What Anderson does here, as a 1990s scream queen turned glamorous, eccentric recluse, is sublime, and her co-star Hannah Einbinder keeps pace with her every minute."

— Stephanie Zacharek, TIME Magazine

"Teenage Sex and Death at Camp Miasma is designed to knock the viewer off kilter with a gasp and a chuckle. There’s an exuberance to letting yourself go and enjoying the mess that lives inside."

— Alissa Wilkinson, New York Times

"Once again, writer-director Jane Schoenbrun proves herself a true original. She also goes hilariously over the top with the gore. But at its emotional core, this is a beautifully Lynchian coming of age."

— Rich Cline, Shadows on the Wall

"Fantasy and reality blur in breathtaking, whimsical, and jubilant ways in Teenage Sex and Death at Camp Miasma, using slasher film theory as the launchpad for a dazzling sexual awakening allegory."

— Meagan Navarro, Bloody Disgusting

"With Teenage Sex and Death at Camp Miasma, Jane Schoenbrun further cements themselves as not just one of the defining voices in queer cinema, but one of horror’s most vital contemporary filmmakers."

— Dan Tabor, Cinapse

"I dare you to stop talking about Jane Schoenbrun’s fantastic third feature with Hannah Einbinder and Gillian Anderson firing off a gender critique of horror films that grips you like a dream that won’t let go."

— Peter Travers, The Travers Take

"Wise, kind, and playful about sex and cinema, Schoenbrun’s elastic, open-hearted feature wants us to get out of our heads and enjoy the ride. A whole new world of visual pleasure and cinematic possibility opens up before us when we do."

— Blake Simons, Sight & Sound

"A unique blend of comedy, gore, horniness, tragedy, and romance, presented radically fresh, both meta and emotionally cutting; no one is making movies like Jane Schoenbrun, and the cinematic landscape is a much richer place for it."

— Robert Kojder, Flickering Myth

"From this straightforward setup, Schoenbrun unleashes an outpouring of imagination and invention that places the film on a level of intricacy and extravagance comparable to that of Wes Anderson’s 'Asteroid City' and Greta Gerwig’s 'Barbie.'"

— Richard Brody, The New Yorker